SCIENCE
FICTION BLAST-OFF THEATER
"All Clear"
by Richard Nathan
Before the lights come up, a voice announces the title of the story:
VOICE
"All Clear"
Lights come on the bridge of a space ship. Two crew members, WILLIAMS and JOHNSON are reviewing data on the instruments.
JOHNSON
Running final check of bio-data.
Johnson pushes a few buttons, waits a moment, and checks the reading.
JOHNSON
Data check all clear.
WILLIAMS
What if it's wrong?
JOHNSON
It's not wrong.
WILLIAMS
What if we're bringing back something
dangerous?
JOHNSON
The only thing dangerous that we're bringing
back is you!
WILLIAMS
You can't deny it is theoretically possible we
could bring back a disease, a new disease,
capable of wiping out all life on Earth.
JOHNSON
No, it's not possible! Not with the bio-scan.
It has twenty-five fail-safe back-up systems.
Nothing can get past it.
WILLIAMS
Nothing we've seen so far.
JOHNSON
If you're so phobic, why did you go into
space exploration?
WILLIAMS
I like space. It's the planets that make me
nervous. Look, we know that a species can
only survive if it is has a strong ability to
overcome obstacles to procreation.
JOHNSON
Sure. Things survive only if they have a
strong survival / reproduction mechanism.
That's just stating the obvious.
WILLIAMS
What if there was a virus with the ability to
avoid detection? Isn't that a logical
Darwinian survival mechanism?
JOHNSON
If it did anything to affect us, anything at all,
the bio-scan would detect it and warn us.
WILLIAMS
There's some flaw in your logic. I know
there is. But for some reason, I can't seem
to get my brain around it. I can't see it!
JOHNSON
Do you feel all right?
WILLIAMS
Yeah, I seem to feel okay. But I can't
help feeling we're missing something vital.
JOHNSON
Well I feel great. Here comes Daniels. He's
spent more time on the surface than both of
us put together. Hey,
Daniels, do you feel okay?
Enter DANIELS. His condition is sickening, although he doesn't realize it, nor do his crewmen. The make-up should be as disgusting as possible. For example, you might want to mix green food coloring with chunky peanut butter and smear it all over his skin. Daniels is so sick that he can't speak clearly, but no one realizes it. Depending upon how sick your sense of humor is, he could also be spitting up blood, foaming out the mouth, having coughing fits, or even having limbs and/or body parts dropping off. Whatever happens with him, no one should show any signs of noticing he is sick, including Daniels.
DANIELS
(giving a thumbs up sign)
Mmmm-rrrrr-nnnnn!
JOHNSON
See, Daniels feels great. A picture of health!
DANIELS
(giving another thumps up)
Mmmmm-rrrr-nnnnnn!
JOHNSON
Williams is worried that we've all contacted
some disease that can outsmart the bio-scan,
and we'll bring it back and wipe out all
life on Earth.
DANIELS
Mmmmm-rrr-nnnnn.
JOHNSON
Strap in, everyone.
The three crew members strap themselves in.
JOHNSON
You know, Williams, if there was anyone wrong,
the alarms would be screaming by now.
The alarms start screaming.
JOHNSON
And the bio-scan wouldn't permit us to take
off unless all three of us hit those override
switches, and our psych evaluations guaranteed
none of us
would willingly go anywhere
near those switches if the alarms went off.
All three crew members seem to go into a trance. As though they were sleep-walking, they un-strap themselves, get up and hit the override switches and go back to their seats, unaware of what they are doing.
JOHNSON
Nothing can outsmart the bio-scan. How are
you feeling now, Williams?
WILLIAMS
Okay, I feel fine. Great, in fact. But
some day we'll come across something that
fools us. Something that finds a way to
be un-detectable. I just know it! I keep
feeling the idea is almost there, lurking right
outside my consciousness, but for some
reason, I just can't get to it.
DANIELS
Mmmmm-rrrr-nnnnnn!
Blast-off!
Blackout!
THE END
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SCIENCE FICTION BLAST-OFF THEATER
science fiction scripts
© 2002 by Richard Nathan. All rights reserved
The author grants all internet users the right to print these scripts for their own, personal, non-commercial use. No other use may be made without the author's permission. Without limiting the foregoing, the plays may not be staged without the author's express permission.
Send e-mail to the author at Richard-Nathan@att.net.