PLAYHOUSE OF THE DAMNED
"Dream
Girl"
by Richard Nathan
The spotlight is up on our host, GUS THE GHOUL, while a chair is placed on the stage for the next story. This one chair is all that is necessary. Gus speaks to the audience:
GUS THE GHOUL
Sometimes members of our audience seem
to have trouble staying a wake. When that
happens, I give them one. A wake. If
you're not ready for your own wake, pay
attention to this next story. This little
nightmare is called "Dream Girl."
Gus exits. Lights come up on a MAN seated in a chair. A WOMAN enters and stands behind him.
WOMAN
Relax.
MAN
No.
WOMAN
It's not good to be so tense.
MAN
Go away.
WOMAN
I'm trying to help you.
MAN
No. You're not.
WOMAN
What are you so worried about?
MAN
If I go to sleep....
WOMAN
If???
MAN
If I go to sleep, you'll....
WOMAN
You are asleep.
MAN
I will not go to sleep. I will not sleep. I
won't.
WOMAN
Have I ever come to you when you were
awake?
MAN
I don't think so. I don't remember.
WOMAN
Am I here now?
MAN
I suppose.
WOMAN
Then you must be asleep.
MAN
Go away!
WOMAN
Why are you so afraid of me?
MAN
Because you stick your fingers in my brain!
WOMAN
I what???
MAN
You stick your fingers in my brain! You damage
me! Every day when I wake up, after you've been
here, my thoughts are less clear. My memory is
more addled.
WOMAN
That's just part of the aging process.
MAN
It's part of the process of you sticking your fingers
in my brain!
WOMAN
You feel that way because you're so tense. Even
when you sleep, you're tense! No one can think
straight when they're as tense as you are.
MAN
I wouldn't be so tense if I didn't have to worry
about you sticking your fingers in my brain.
WOMAN
You'd feel so much better if you'd relax, enjoy a
night of deep sleep, and wake up refreshed. When
was the last time you woke up refreshed?
MAN
I don't remember. I don't think I've ever woken
up refreshed.
WOMAN
Of course you have. When you were young.
Refreshed and ready to take on the world!
Wouldn't you like to feel you can take on
the world?
MAN
Are you insane? Why would I want to take
on the world? Do you have any idea how
outnumbered I'd be?
WOMAN
No. How outnumbered would you be?
MAN
I don't remember. I think the world's
population is something like six and a
half billion. I'd be outnumbered six and
a half billion to one.
WOMAN
If you'd get a good night's sleep, you'd
feel like you could do it.
MAN
If I got a good night's sleep, you'd stick
your fingers in my brain and I wouldn't know
what I was doing!
WOMAN
Have you ever heard people tell you how
important it is to get a good night's sleep?
MAN
Yes.
WOMAN
Have you ever heard anyone tell you that
it is important not to let a woman in your
dreams stick her fingers in your brain?
MAN
No. No, not that I remember.
The woman starts massaging the man's shoulders and his neck. He goes slack as she talks to him.
WOMAN
Your subconscious has conjured me to
tell you how much you need to rest. How
much you need to let yourself sink all the
way, all the way down into the dark satin
comfort of sleep. Let go. Surround yourself
in darkness. Let it take you, envelop you,
fold you up in its peace. Surrender. Let go
of your tension. Let go. Let go. Let go. Let
go.
She starts massaging the back of us head. Unseen by the audience, she takes a packet of ketchup from under the collar of the shirt of the actor playing the man, opens the packet, and spreads the ketchup on her fingers. Then she takes her ketchup-covered fingers from the back of his head, and licks off the ketchup, as though she was licking off the blood from inside his brain.
WOMAN
Yum!
Blackout! The
man and the woman exit. GUS THE GHOUL enters.
A spotlight picks up Gus.
GUS
Dream Girl? Or Scream Girl?
steal you heart, don't tell her to stop it,
because she will... stop it... your heart!
Stop your heart! What's the matter with you
people? Has someone stuck their fingers in
your brains?
THE END
Click here to go to another PLAYHOUSE OF THE DAMNED story
© 2006 by Richard Nathan. All rights reserved
The author grants all internet uses to print these scripts for their own, personal, non-commercial use. No other use may be made without the author's permission. Without limiting the foregoing, the plays may not be staged without the author's express permission.
Send e-mail to the author at Richard-Nathan@att.net.