SCIENCE
FICTION BLAST-OFF THEATER
"The Possessors"
by Richard Nathan
Before the lights come up, a voice announces the title of the story:
VOICE
"The Possessors"
Two women, PAULA and SANDY are talking to each other in the living room of Paula's home. Paula is distraught.
PAULA
He's not my husband!
SANDY
Who's not?
PAULA
Him!!!!
SANDY
Charlie?
PAULA
He's not Charlie!
SANDY
Who's not Charlie?
PAULA
That man who's not my husband.
SANDY
Well,
that describes a very large number of people, -
everyone who isn't your husband Charlie isn't
Charlie. But what specific man who isn't Charlie
are we talking about?
PAULA
Charlie! Or that the thing that's pretending to be
Charlie. He looks like Charlie, his voice is like
Charlie's, and
he somehow has Charlie's memories,
but
he's not Charlie. He's something possessing
Charlie's body.
SANDY
Do you know what you sound like?
PAULA
Like a cliché from a bad science fiction
movie. But it's true!
SANDY
You're having a bad day.
PAULA
Of course I'm having a bad day! My husband's
body has been possessed by a being from the
fourth dimension!
SANDY
Why the fourth dimension?
PAULA
Oh, sometimes when I'm not looking straight at
him, just seeing him in my peripheral vision, he
sort of fades in and out, as though he's still
learning how to stabilize in only three dimensions.
SANDY
Paula, you can't see anything clearly if it's just in
your peripheral vision.
PAULA
I can!
SANDY
That's no reason to think he's not Charlie.
PAULA
It's not just that! He smells differently from
Charlie!
SANDY
How?
PAULA
I don't know. Sort of fourth dimensionally.
SANDY
You're joking, right?
There's the SOUND OF A DOOR OPENING AND CLOSING from off-stage.
PAULA
Shhh! He's coming! Don't let him know I know!
Enter CHARLIE, Paula's husband.
CHARLIE
Sandy! I'm glad you're here. I have something
important to tell you.
SANDY
Yes?
CHARLIE
This is not my wife. I don't know who she is,
but I know she's not Paula!
SANDY
Who do you think she is, a being from the
fourth dimension?
CHARLIE
No. I think she's from the future.
SANDY
The future?
PAULA
Why? Because I'm too brilliant to be from
the Twentieth Century?
CHARLIE
It's the Twenty-First Century now! If you
were Paula, you'd know that!!!
PAULA
Sandy, you've got to let me move in with
you and Jack till I can find my own place.
I can't stay here with a madman from the
fourth dimension!
CHARLIE
Fine! Go! You think I want to live with a
maniac from the future?
SANDY
Stop it! Both of you! Listen, do you know
why this idea about alien being possessing our
loved ones has become such a cliché?
PAULA
Because it's true?
SANDY
No, it's because it seems true! Everyone feels
that way sometime or another. It's because no
matter how long with live with someone, no matter
how much we think we know him or her, one day
we discover we don't know that person as well as
we thought we did. Some days times our most intimate
partner seems like a stranger. But that happens to
everyone! It's no reason to give up on your
relationship. You think you'll find a better, deeper
relationship with someone else? You won't! No
matter who you end up with, at some point he or
she is going to seems like a being from another time,
or another dimension, or another planet. So take
my advice and stick together. I know you two.
You're a good fit! As good as you're going to
find.
Paula and Charlie look at each other warily. Sandy looks at her watch.
SANDY
I've got to go meet Jack. Think about what
I said. And maybe try to be more open with
each other.
Sandy exits. After a beat, Paula and Charlie talk.
PAULA
You think she's right?
CHARLIE
I know that if anyone knows us, she does.
PAULA
That's what I remember too.
CHARLIE
And what she said about being more open?
PAULA
The future sucks.
CHARLIE
So does the fourth dimension.
PAULA
So, let's give this twentieth century life a
try.
CHARLIE
Twenty-first century.
PAULA
Sorry. I'll get that down.
Blackout.
THE END
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© 2006 by Richard Nathan. All rights reserved
The author grants all internet uses to print these scripts for their own, personal, non-commercial use. No other use may be made without the author's permission. Without limiting the foregoing, the plays may not be staged without the author's express permission.
Send e-mail to the author at Richard-Nathan@att.net.